1176 COMPRESSOR PLUGIN ALL BUTTONS IN PRO

There’s got to be some reason it’s on so many records. If warm, tune-aided optical compression is what you are shooting for, but you’re short the $3,000 to buy the hardware, check this out. Output gain and peak reduction controls are available as well as the ability to change metering and switch between limiting and compressing.

Just like the hardware, there aren’t many controls. The LA2 has the slowest attack and release like many 1950s compressors, while the gray and silver models have medium-fast attack and release for a more typical response similar to the vintage LA-2As that have earned their legendary status. The plugin offers three variations of the compressor. Bass and vocals have been commonly treated with this style of compression, both for its smoother gain reduction and in the case of the LA-2A, for the warmth of the tube output stage. As a part of their UAD plugins, they took it upon themselves to get all of the famous sounds modeled into their Teletronix LA-2A.Īs an optical compressor, most of the common uses of 2As include instruments with fewer transients and vocals. Universal Audio, the current manufacturer of the reissue hardware, decided that rebuilding the legendary compressor wouldn’t be enough. Featuring slower attack and release times, and vibe to spare, the LA-2A has become known for its warmth and character that can be heard on countless records. The LA-2A is an optical compressor with a tube output stage. One of those legends is the Teletronix LA-2A. This is the go to plugin when compressing bass or vocals.Īmong all hardware compressors, there are a couple that stand out as studio legends. If you need a way to add the glue and polish to your mixes, check out the Waves SSL G-Master Buss Compressor. This plugin is typically used for master bus compression, but also shines when your goal is to tighten up drums or piano. To build on its accuracy to the original, Waves added modeled analog hum from the SSL 4000 G for even more coloration abilities. Thanks to SSL and Waves, this emulation can bring you the tone of those boards for vintage coloration and the “glue” effect of this legendary console.

One of the most legendary examples is the compressor from the SSL 4000 G console’s master section. Check out our article on Mix Bus Compression for more information. When mixing into a compressor, engineers are often looking for more “glue” to their mix or they are after a certain coloration. There are several reasons engineers have opted to use a stereo compressor on their master bus. Quickly glue your mixes together with this popular and great sounding bus compressor.

1176 COMPRESSOR PLUGIN ALL BUTTONS IN PRO

Check out the FabFilter Pro C2 for access to a large toolset within one beautiful plugin. Combine this with the 4x oversampling and GPU acceleration and you have one accurate plugin.Īll of this functionality and versatility make this compressor a great choice for any engineer looking for a lot of features in one package. The size and the accuracy of these meters have increased, and FabFilter adjusted the Pro C2 to comply with the EBU R128 loudness standard. Mastering engineers will appreciate the new metering. Version 2 adds five new modes: Vocal, Mastering, Bus, Punch, and Pumping to give you access to tailored responses to match what you are working on. The eight modes of the compressor allow the Pro C2 to add some coloration to your mixes. This compressor manages to pack eight compression character styles, lookahead gain reduction, 4x oversampling, mid/side control, and the ability to affect each channel independently or linked as a stereo pair with the Stereo Link control into one of the most incredible interface designs plugins have seen. This low CPU intensive plugin, offers immense functionality, and can be used on every track during mixing.įor those looking for a great “do everything” compressor, the FabFilter Pro C2 has exactly what you need and a ton more.

1176 compressor plugin all buttons in